Cambiata: A non-chord tone that resolves by step to a consonance after a leap in the opposite direction. Cambiata is often used to add melodic interest or tension.

Context and Significance

Cambiata holds a significant place in classical music, particularly in counterpoint and vocal compositions. It introduces melodic motion by stepping away from a consonance, leaping to a dissonant note, and resolving to another consonance. This technique is prevalent in Renaissance and Baroque music, adding expressive depth and complexity. Cambiata is particularly common in choral settings, where it contributes to the polyphonic texture and enhances the overall harmonic interplay.

Historical Background

The term “cambiata” derives from the Italian word for “changed” or “altered.” Originating in the Renaissance period, it became a staple technique in the compositional practices of the time. Composers like Palestrina and Monteverdi utilized cambiata to create smoother melodic lines and intricate counterpoint. The technique continued to influence Baroque music, shaping the evolution of Western harmony and melody.

Examples

Cambiata is prominently featured in the works of Giovanni Pierluigi da Palestrina, such as his masses and motets. In these compositions, the use of cambiata contributes to the fluidity and expressiveness of the vocal lines. Johann Sebastian Bach also employed cambiata in his chorales, where it serves to enhance the harmonic richness and melodic intricacy, demonstrating its enduring appeal across different musical eras.

Related Terms

Appoggiatura: A non-chord tone that resolves by step, creating tension before resolution.

Passing Tone: A non-chord tone that fills the space between two consonant tones, moving by step.

Neighbor Tone: A non-chord tone that moves away from a consonant note and returns to it.

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