Entr’acte: A musical piece performed between acts of a theatrical performance, serving as a transition and setting the mood for the subsequent act.
Context and Significance
Entr’acte holds a significant place in the world of theater and opera, acting as a bridge between acts. It prepares the audience for the next scene, maintaining the narrative flow and emotional continuity of the performance. This interlude can be found in various genres including opera, ballet, and theater, where it often features orchestral compositions. Instruments commonly used include strings, woodwinds, and brass, contributing to the thematic elements of the production.
Historical Background
The term “entr’acte” originates from the French language, meaning “between acts.” It gained prominence in the 18th and 19th centuries, particularly in opera and theater. Entr’acte evolved from its initial role as simple background music to a more integral part of the storytelling process. Composers like Richard Wagner and Camille Saint-Saëns have crafted memorable entr’actes, enhancing the theatrical experience with their musical prowess.
Examples
Notable examples of entr’actes include Richard Wagner’s “Siegfried Idyll,” originally performed as a private entr’acte for his wife. Another example is in Bizet’s opera “Carmen,” where the entr’acte between acts serves to heighten the dramatic tension. Additionally, Saint-Saëns’ “Samson and Delilah” features an entr’acte that elegantly transitions the audience from one act to the next, showcasing the composer’s ability to evoke emotion and anticipation.
Related Terms
Intermezzo: A short, light musical interlude.
Overture: An introductory musical piece for operas or plays.
Prelude: An introductory piece that sets the stage for a performance.