Tone Row Composition: A method of music composition using a series of twelve different pitches, each used only once before repeating, to form the basis of a piece.
Context and Significance
Tone row composition plays a crucial role in the development of serialism in music, offering a structured approach to atonal music. It is predominantly used in contemporary classical music and is integral to twelve-tone technique. This method allows composers to explore complex musical ideas without the constraints of traditional tonal harmony, opening up new avenues for creativity and expression.
Historical Background
The concept of tone row composition was pioneered by Austrian composer Arnold Schoenberg in the early 20th century. Responding to the constraints of late Romantic tonality, Schoenberg sought a new system that would liberate music from traditional harmonic rules. His twelve-tone technique became a cornerstone of modern music, influencing countless composers and reshaping the landscape of Western classical music.
Examples
Tone row composition can be observed in Schoenberg’s own works, such as his Suite for Piano, Op. 25, where the twelve-tone method is rigorously applied. Composers like Anton Webern and Alban Berg, Schoenberg’s students, also utilized this technique, enriching it with their unique interpretations. Webern’s Symphony, Op. 21, exemplifies the precision and clarity achievable with tone row composition.
Related Terms
Serialism: A broader system that organizes musical elements in series.
Atonality: Music that lacks a tonal center.
Twelve-Tone Technique: A method developed by Schoenberg using a tone row.
« Back to Glossary Index